Download Citation on ResearchGate | Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by “Duel in the Sun” | works primarily with Freud’s. Afterthoughts on ‘Visual Pleasure and Narrative Cinema – Free download as PDF File .pdf), Text File .txt) or view presentation slides online. “Afterthoughts on. Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun () · Laura Mulvey. In Antony Easthope (ed.).

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Kathleen Elizabeth Scott – – Film-Philosophy 16 1: Philosophy Through Film in Aesthetics. Before this phase, a unisex bisexual in Freud model exists.

The Admissible Contents of Visual Experience. Cinema in Aesthetics categorize this paper. Aesthetic Pleasure in Aesthetics.

Laura Mulvey, “Afterthoughts on Visual Pleasure and Narrative Cinema” – ENGL

Rodowick argued that her approach was too reductive and that her analysis of the female character on the screen and the aftertohughts spectator in the auditorium did not allow for the possibility of female desire outside a phallocentric context.

Science Logic and Mathematics.

Stella ends up divorced and the last shot of the film is of her fleeing into the rain. Sign in to use this feature.

This article has no associated abstract. The Future of the Past.

Afterthoughts on “visual pleasure and narrative cinema”

The New and the Old in Oldboy. Appears during phallic stage of development. Sign in to use this feature. Laura Mulvey – – In Marc Furstenau ed. Find it on Scholar. O’Leary – forthcoming – Film and Philosophy. Looking for Access in Narrative Complexity: Zsuzsa Baross – – Angelaki 11 1: Implications and Afterlife Afterthoughts is less widely discussed than Visual Pleasure, and when it is discussed it is always coupled together with the original.

Femininity- attributes and stereotypes afterthouthts with women, including, passivity, gentleness, etc. In Duel in the Sun on the other hand, Pearl has become somewhat corrupt afterthojghts wild herself, and thus is destined to narrahive with the disorderly Lewt rather than Jesse who the film shows us will marry Helen, a model woman. Added to PP index Total downloads 16of 2, Recent downloads 6 months 1of 2, How can I increase my downloads?

This defense mechanism is characterized by converting seemingly dangerous desires into their opposites.

Laura Mulvey, Afterthoughts on “visual pleasure and narrative cinema” – PhilPapers

Stacie Friend – – British Journal of Aesthetics 47 2: Nayar – – Hampton Press. Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy.

Ronald Bogue – – Routledge. Added to PP index Total downloads 34, of 2, Recent downloads 6 months 16 29, of 2, How can I increase my downloads?

Michael Tye – – Philosophical Quarterly 59 Anna Powell – – Film-Philosophy 7 3. Mulvey responds that she the female spectator should instead be seen as enjoying freedom of action and control over the diegetic world by identification with the hero. David Carr narrafive – Journal of Moral Education 35 3: Science Logic and Mathematics. Jehanne-Marie Gavarini – – Film-Philosophy 16 1: Find it on Scholar.

Kilbourn – – Routledge. The hero is married and otherwise rewarded such as by ascending the throne. No keywords specified fix it.